Monday, April 27, 2009

Style of Chen Style Taijiquan

For those who are familiar with taiji, you will know that Chen style taijiquan (陳氏太極拳) has many forms, not just one. The most basic is the old frame first routine (老架一路). Others include old frame second routine (老架二路), new frame first and second routines (新架一、二路), the 56-movement competition routine (五十六式競賽套路), as well as the small frame routine (小架).

A common misunderstanding about Chen style taijiquan is that it is both soft (柔) and hard (剛). To say the truth, all styles of taijiquan are soft and hard. What is special about Chen style is the explicit expression of hard. But does that mean a person practising Chen style should always be exerting force? Actually, no. Because within Chen style, each routine has its own style as well.

The old frame first routine is the most basic, and seeks to provide a good foundation. Which is why it is based on soft (以柔為主), with very few expressions of hard. Once a person has built up a good foundation, and is able to properly express his force (发劲) through the use of his kua (instead of using brute force), he can move on to express himself properly in the old frame second routine, which focuses on hard (以剛為主). The small frame has a slightly tighter (faster) rhythm, with smaller actions compared to the old frame.

The new frame places more emphasis on the silk reeling action and is more expressive of the hard portion of Chen style. Which is why you see a lot more expressions of force in the new frame first routine compared to the old frame first routine. This appeals to the younger generation since it makes the routine seem more lively. But such expressions of force must come from a proper base in order to make sure that the force is generated by the kua, otherwise it becomes brute force, which is a wrong expression of force.

The competition routine draws its movements from the first and second routine, making a balanced mix of soft and hard movements. This form is more for show than for training, since there isn't any proper focus.

So if you are practising Chen style, make sure you understand the focus of your routine. The old frame first routine shouldn't be done with a lot of forceful motions, but should instead be graceful and smooth, with the rare expression of force. The old frame second routine must retain the occasional graceful actions, but you need to demonstrate the proper expression of force (it must look explosive without being overly exertive).

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